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Nothing tells you more about “The Expendables” than its logo, which is a titanium skull surrounded by assault rifles, submachine guns and co...
Welcome to another butt-bustingly epic edition of the podcast, hosted by Salty The Beast, Matthew Collins, and Mark Olsson. The long-awaited...
“Resident Evil: Retribution” is irrefutable proof that a dead movie franchise is nowhere near dead as long as there’s a paying audience. Li...
San Jose State University’s English department sponsors an annual literary competition titled the Bulwer-Lytton Fiction Contest, in which p...
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Hello, all. Here's the first attempt to conduct an audio podcast with my two friends Matthew Collins and Mark Olsson. Discussions includ...
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Zombies have seen such an astonishing resurgence in the popular conscience over the past few years that it’s a little bit frightening. The ...
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The first thing that may surprise viewers going into “The Bourne Legacy” is that Jason Bourne has been completely relieved of his duties as ...
Usually when I go to see action-oriented films, I expect some sort of visceral experience to accompany the violence and massive amounts of s...
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Brütal Søng: “In This River” Artist: Black Label Society Album: Mafia Sometimes Zakk Wylde gets pigeonholed (mostly by me) as too much of an...
“The Dark Knight Rises” opens with Commissioner Jim Gordon (Gary Oldman) of the Gotham City Police Department delivering the eulogy at Harve...
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Brütal Søng: “Trogdor” Artist: Strong Bad Album: Strong Bad Sings (And Other Type Hits) Can we just establish right here and right now that ...
For all of the numerous subplots, animal characters, voice talents, fast-paced animated pandemonium built entirely at the service of 3D, and...
“Abraham Lincoln: Vampire Hunter” will go down in history as a film I admire to a startling degree, yet one I cannot quite award a recommend...