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Tuesday, 20 March 2012

Info Post
Approximately seventy-five to eighty percent of the things I appreciated about the horror film “Silent House” stem out of its technical efficiency and its production. It is made to look as though the entire 85-minutes of psychological terror is 1) shot in real time, and 2) captured in a single, continuous take of film without any quick cuts or haywire editing. The next logical step beyond the

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